To refine search, see subtopic The Column. To expand search, see Art. Laterally related topics: Symmetry, Perspective, Fractals in Art, Weaving, Renaissance Art, Basket Making, Tattoos, Pottery, Pattern, Proportion and the Golden Ratio, Metal Work, Knots and Knotwork, Wood Carving, Bronzework, Needlework, Art History, Origami, and Mazes.
The Mathematics and the Liberal Arts pages are intended to be a resource for student research projects and for teachers interested in using the history of mathematics in their courses. Many pages focus on ethnomathematics and in the connections between mathematics and other disciplines. The notes in these pages are intended as much to evoke ideas as to indicate what the books and articles are about. They are not intended as reviews. However, some items have been reviewed in Mathematical Reviews, published by The American Mathematical Society. When the mathematical review (MR) number and reviewer are known to the author of these pages, they are given as part of the bibliographic citation. Subscribing institutions can access the more recent MR reviews online through MathSciNet.
Andersen, Kirsti. The mathematical treatment of anamorphoses from Piero della Francesca to Niceron. History of mathematics: states of the art, 3--28, Academic Press, San Diego, CA, 1996.
Discusses the mathematics of anamorphoses and the history of the subject from the mathematical point of view. Begins with a short discussion of problems stemming from the well-known fact that cylindrical columns seem smaller towards the top. Dürer discussed how one can use letters of different size on such a column so that rows of print will all appear the same size. His student Erhard Schön did some work using anamorphoses proper. (This was about the same time as Hans Holbein's Ambassadors.) Piero della Francesca's De Prospectiva Pingendi includes a discussion of how to construct a particular anamorphic drawing, but little further progress was made until the 1600s. The author notes that artists didn't seem to use the same mathematical techniques when using more extreme perspectives as they used with more normal perspectives. In fact, written works from the time suggest that orthogonal projections were used. The author gives examples from the work of of Daniele Barbaro [Italy 1500s], Paolo Giovanni Lomazzo [Italy 1500s], Egnazio Danti [Italy 1500s], Guidobaldo del Monte [France 1600s], Samuel Marolois [France 1600s], and Salomon de Caus [France 1600s]. (The case of Lomazzo is unclear: he suggested using threads for the construction, but didn't state clearly how they were to be used.) After Niceron, more mathematically accurate techniques were used; the author gives an example of a work by Emmanuel Maignan [France 1600s], who was influenced by Niceron. The problems of mirror anamorphoses apparently originated in China by about 1600. Artists apparently either worked intuitively (as in China), or by using approximate constructions. Approximate constructions still appear today in the work of the 20th century Swedish artist Hans Hamngren. A mathematically precise treatment of the problem (and of a problem using a conical mirror) was given by Jean-Louis Vaulezard in the 1600s, but even Niceron gave only an approximate method. The author suggests that Vaulezard's students were perhaps the only ones who constructed curved-mirror anamorphoses using mathematically accurate methods. (Computer analyses might be useful to verify this.) Using a computer algebra system, the author has derived the equations for the curves which will project to a coordinate grid. The curve is not given in the text, but the author tells us that it is not one of the familiar curves, has degree 6, and has rather complicated coefficients. Closely related topics: Anamorphoses, The Column, Albrecht Dürer, Erhard Schön, Piero della Francesca, China, Jean-Louis Vaulezard, and Jean-François Niceron.
Cox, Steven J. The shape of the ideal column. Math. Intelligencer 14 (1992), no. 1, 16--24. (Reviewer: Peeter Müürsepp.) SC: 01A99 (00A69), MR: 93a:01072.
Discusses the shape of the "ideal" column. Shows how the aesthetic and perceptual ideals of Greek and Roman times were relayed by Vitruvius and later by Alberti and others. Then shows how later scientists considered the problem from the point of view of structural strength instead. A key player in this new point of view was Lagrange. The author discusses mistakes in Lagrange's work and in the work of some later scientists and mathematicians. It is interesting that the author himself has made investigations in this area (together with M. L. Overton). The article Kirmser, Philip G. and Hu, Kuo-Kuang, The shape of the ideal column reconsidered is critical of these investigations, and includes a response by Cox. Closely related topics: The Column, Vitruvius, Leone Battista Alberti (1404?--1472), Statics, and Joseph Louis Lagrange.
Fields, Margaret. Practical Mathematics of Roman Times. Mathematics Teacher 26 (1933), 77--84.
Surveys Roman mathematics. Some of the most interesting examples come from the De Architectura of Vitruvius, which discusses principles of symmetry and proportion and how to use them in architecture. Vitruvius goes as far as how to correct for an optical illusion on the capitals of columns. He also discusses geometric procedures to be used in laying out a town (to shut out winds), and various Roman instruments, including leveling instruments and an instrument for measuring distance called a hodometer. The hodometer is used for "telling the number of miles while sitting on a carriage or sailing by sea", and is particularly ingenious. Second to Vitruvius, the most important source on Roman engineering may be the Urbis Romae of Frotinus, which includes mathematical rules (not entirely successful) to determine the flow of an aqueduct. Surviving Roman bridges show a high level of skill; there were surely mathematical principles behind their design, but no detailed study has survived. Roman tunnels are equally impressive. Heron discusses how to use an instrument called the "dioptra" to survey for tunnels, measure the width of a river, and so on. Roman sundials were relatively unsophisticated. Reprinted in Swetz, Frank J., From Five Fingers to Infinity. Closely related topics: Vitruvius, Symmetry, Proportion and the Golden Ratio, Optics, Leveling, The Measurement of Distance, Frotinus, Heron, Surveying, and The Sundial.
Gerdes, Paulus. On mathematics in the history of sub-Saharan Africa. Historia Math. 21 (1994), no. 3, 345--376. SC: 01A13, MR: 95f:01003.
This paper broadly surveys the recent research in sub-Saharan mathematics (and some related areas as well). Areas discussed include prehistoric mathematics (e.g., the Ishango and Border Cave bones), number systems and symbolism (including algorithms and education), games and puzzles (for example, a leopard-goat-cassava leaf river crossing problem and a "topological" puzzle), symmetry in African art, graphs or networks (e.g. Tschokwe sand drawings), architecture (one case involving magic squares; also a brief reference to fractals). Gerdes mentions string figures as a possibly productive future research area; he gives some starting points. He also discusses related areas, such as technology, and studies on language and mathematical concepts. A goal of the studies mentioned is apparently to better understand mathematics learning in Africa. Some studies focus on logic. Questions on interaction with ancient Egypt are still largely open. A better understanding of Islamic mathematics in sub-Saharan Africa is desirable as well. The author also touches on factors connected with the slave trade; e.g., the remarkable but not perhaps entirely atypical abilities of Thomas Fuller. Includes an extensive bibliography. Closely related topics: Sub-Saharan Africa, TallySystems, Games, Puzzles, Topology, Symmetry, Continuous Tracing Problems, Magic Squares, Fractals in Art, String Figures, Ancient Egypt, The Reckoning of Time, Education, Mathematics in Language, Logic, The Islamic World, and Thomas Fuller (1710-1790).
Groemer, H. The symmetries of frieze ornaments in Maya architecture. Österreich. Akad. Wiss. Math.-Natur. Kl. Sitzungsber. II 203 (1994), 101--116 (1995). (Reviewer: J. S. Joel.) SC: 01A12 (00A69 01A07 51M20 52C20), MR: 96b:01006.
The author discusses the frieze patterns that occur in Mayan architecture, with occasional references to the frieze patterns found on Mayan pottery. All seven basic types of frieze patterns occur, though one (the one with only glide reflections) is rather rare. The author notes that many of the symmetries appear to be derived from the symmetries of the same base motif, which is merely translated; it is acknowledged that this distinction is not a mathematical one. The author also distinguishes between discrete and continuous patterns. One interesting pattern is classified as having only translations and vertical reflections, but as the author notes, the "negative space" has an upside-down version of the same ornament This particular pattern could be classified as a bichromatic strip pattern, but apparently the "negative space" symmetry is lost in some other examples of the motif. The author finds, to his surprise, that there seems to be little Toltec or Zapotek-Mixtec influence in the Mayan frieze patterns. Closely related topics: The Maya, Frieze Patterns, and Pottery.
Kirmser, Philip G. and Hu, Kuo-Kuang. The shape of the ideal column reconsidered. With a reply by Steven Cox. Math. Intelligencer 15 (1993), no. 3, 62--68. (Reviewer: Peeter Müürsepp.) SC: 73K05 (00A69 01A99 49N55 73H05), MR: 94e:73039.
This article criticizes some of the conclusions of Cox, Steven J., The shape of the ideal column, and contains a new derivation of the shape of the "ideal" column. In Cox's view the problem of the ideal column remains far from solved. Cox acknowledges some of the criticism, but in turn objects to the way Kirmser and Hu have had tacitly assumed the existence of a strongest column in order, which he considers far from clear. He says "Faced with their outright contempt for the question of existence of a strongest column, I find solace in L. C. Young's invocation of Perron's paradox." (This paradox starts "Let N be the largest positive integer", and then shows that there exists a larger number.) The mathematics involved is somewhat technical. Closely related topics: The Column, Statics, and Paradox.
Mainzer, Klaus. Symmetry and beauty in arts and mathematical sciences. Physis Riv. Internaz. Storia Sci. (N.S.) 32 (1995), no. 1, 91--103. SC: 01A99 (00A69), MR: 96h:01043.
As this article explains, symmetry appears in a variety of disciplines over a variety of ages. The author begins by briefly discussing the natural and philosophical reasons for studying symmetry (starting in ancient Greek times). He then discusses the appearance of the 7 frieze groups and 17 ornamental groups of the plane and related groups in mathematics and crystallography. Next, he discusses appearances of symmetry and symmetry breaking in modern physics, in the theory of relativity, and in quantum mechanics and superstring theory. He finds that symmetry considerations are important in chemistry and biology as well: "In biochemistry macromolecules (for example L-amino acids or D-sugars) possess a characteristic homochirality ('dissymetry') which is assumed to be caused by parity violations of weak atomic forces." He also explains that "The emergence of pattern structure can be described by symmetry breaking not only in chemistry, but in biology. Since the pioneering work of the famous English logician and mathematician A. Turing on the chemical basis of morphogenesis in biology (1952), there has been an increasing interest in this topic." He then proceeds to discuss "Symmetry and Symmetry Breaking in the Computer World", focusing on dynamical systems. For example, he write, "Nevertheless the Feigenbaum diagram is self-similar. Every part of the tree contains the Feigenbaum diagram infinitely often like Russian dolls. It follows that mathematical chaos can be highly symmetric." He closes with a discussion of modern architecture, where he finds that symmetry concerns are important as well: "But the variety of historical reminiscences and asymmetrical elements in architecture does not mean a movement back to historicism or eclecticism. It is the expression of a sceptic and ironic view of the world which no longer believes in an omnipotent technical rationality and its claim to solve all human problems. It underlines individuality and the importance of accidental details, and has doubts about universal harmony and rationality. So it prefers symmetry breaking as a chance of variety, pluralism, and individual freedom." And this is a theme that nicely rounds of his article: "But variety and pluralism need not be in conflict with unity. It was Leibniz who suggested that the unity of the world can only be experienced by man under special aspects. So his motto was 'unity in variety.' It dates back to the old philosophical idea of Heraclitus that even symmetry breaking is related to a sometimes hidden symmetry." Interesting and thought-provoking article. Closely related topics: Symmetry, Philosophy, Greece, Physics, Chemistry, Biology, Alan Turing, Computation, and Fractals.
Zaslavsky, Claudia. Africa counts. Number and pattern in African culture. Prindle, Weber & Schmidt, Inc., Boston, Mass., 1973. x+328 pp. SC: 01A10, MR: 58 #20993.
This book is an excellent introduction to the mathematics of (primarily sub-Saharan) Africa. The best tribute to its importance may be in Gerdes, Paulus, On mathematics in the history of sub-Saharan Africa. Gerdes writes "In her classical study Africa Counts: Number and Pattern in African Culture ..., Claudia Zaslavsky presented an overview of the available literature on mathematics in the history of sub-Saharan Africa. She discussed written, spoken, and gesture counting, number symbolism, concepts of time, numbers and money, weights and measures, record-keeping (sticks and strings), mathematical games, magic squares, graphs, and geometric forms, while Donald Crowe contributed a chapter on geometric symmetries in African art." Regarding geometric symmetries, it is primarily the frieze patterns and plane patterns that are discussed; there is surely more work to be done on the bichromatic frieze and plane patterns. Many readers will wish to explore further. Gerdes' paper should be invaluable for this, not least for its extensive bibliography. Another useful resource is the newsletter distributed by the African Mathematical Union's Commission on the History of Mathematics in Africa (AMUCHMA). Closely related topics: Sub-Saharan Africa, TallySystems, Finger Numerals, Counting, Numerology, The Reckoning of Time, Money, Measurement, Games, Continuous Tracing Problems, Magic Squares, Mathematics in Language, Frieze Patterns, Plane Patterns, The Islamic World, and Anthropology, General.