Sub-Saharan Africa - Mathematics and the Liberal Arts

Sub-Saharan Africa - Mathematics and the Liberal Arts

To refine search, see subtopics The Bushoong, TheTshokwe, The Mursi of Ethiopia, The Bambara of Sudan, South Africa, The Bushmen (southern Africa), Ghana, The Bakuba of Zaire, BeninCity, Nigeria, Cameroon, Ethiopia, Mali, Mozambique, and The Kpelle of Guinea. To expand search, see Africa. Laterally related topics: Ancient Egypt, African American Mathematics, and Carthage.

The Mathematics and the Liberal Arts pages are intended to be a resource for student research projects and for teachers interested in using the history of mathematics in their courses. Many pages focus on ethnomathematics and in the connections between mathematics and other disciplines. The notes in these pages are intended as much to evoke ideas as to indicate what the books and articles are about. They are not intended as reviews. However, some items have been reviewed in Mathematical Reviews, published by The American Mathematical Society. When the mathematical review (MR) number and reviewer are known to the author of these pages, they are given as part of the bibliographic citation. Subscribing institutions can access the more recent MR reviews online through MathSciNet.


Ascher, Marcia. Graphs in cultures. II. A study in ethnomathematics. Arch. Hist. Exact Sci. 39 (1988), no. 1, 75--95. (Reviewer: M. P. Closs.) SC: 01A10, MR: 90d:01003.

Discusses the cultural background and mathematical properties of the continuous graphs traced by the Booshong and Tshokwe, who live in the Angola/Zaire/Zambia region of Africa. The Bushoong are a subgroup in the Kuba chiefdom, and exchange their art for food and raw materials. They have interesting ways of classifying designs, which are touched on by the author. The problems in continuous tracing among the Bushoong are primarily the domain of children. Ascher discusses the tracing algorithms used. In the Tshokwe, continuously traced graphs play an important role in the story-telling tradition. The author gives examples of how some diagrams are used to discuss a rite of passage and in connection with the muyombo trees representing the village ancestors. In some cases, the notion of inside/outside is important (an aspect of the Jordan curve theorem). Ascher discusses geometric characteristics of the graphs (for example, many are regular of degree 4), and algorithms for drawing the curves. Closely related topics: Continuous Tracing Problems, The Bushoong, TheTshokwe, and Storytelling Traditions.

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Ascher, Marcia and Ascher, Robert. Ethnomathematics. Hist. of Sci. 24 (1986), no. 64, part 2, 125--144. (Reviewer: Jens Høyrup.) SC: 01A10 (92A20), MR: 88a:01005.

Discusses the danger of identifying non-literate mathematics with "primitive" mathematics. Warns against assuming that because a group has two sets of number words (as in the Blackfoot Indians, who are said to use different sets of numbers for the living and the dead), the group therefore doesn't understand the underlying identity between the different words. Regarding logic, when asked the question "All Kpelle men are rice farmers. Mr Smith is not a rice farmer. Is he a Kpelle man?", one Kpelle respondent answered "If you know a person, if a question comes up about him you are able to answer. But if you do not know the person, if a question comes up about him, its hard for you to answer." The authors emphasize that a response like this doesn't show a lack of ability in logical reasoning, but just differences in views in talking about people you don't know and about 'playing along' with a questioner. The authors discuss how the Sioux viewed the circle as a more natural shape than the (western) line. Kinship systems of the Aranda of Australia, and in Ambrym in the New Hebrides. How elders in Ambrym used diagrams to elucidate the kinship systems, and explicitly explained the patricycles of degree 2 and the matricycles of degree 3. An interesting question for a student might be to investigate if the Aranda system (with six groups) is optimal in ruling out certain types of marriages that are too close. Closely related topics: Ethnomathematics General, Number Words, Logic, Kinship Systems, The Aranda, Ambrym, New Hebrides, The Blackfoot Indians, The Sioux, and The Kpelle of Guinea.

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Aveni, A. F. Tropical archeoastronomy. Science 213 (1981), no. 4504, 161--171. (Reviewer: M. P. Closs.) SC: 01A10, MR: 82j:01006.

Cultures in the tropics appear in general to have adopted a horizon and zenith approach to the sky, as opposed to the approach with the celestial pole (now Polaris) and the ecliptic/celestial equator, which is more familiar to most of us. Arorae in the Gilbert Islands (Kiribati) is very close to the equator, and navigators used stars on the horizon instead of compass directions. To them, constellations were also long chains of stars. Apparently, the people of the Caroline Islands also used a kind of star compass. In Polynesia and apparently in much of Oceania, islands were associated with stars that have zenith appearances above them; this is also useful in navigation. The Maori used a similar system. Various cultures in central and south America have been particularly interested in horizon and zenith events. These include the Maya, the Inca, and the Aztec, and are discussed in detail. There was a similar interest in the Chalchihuites culture, apparently influenced by astronomers of the Teotihuacán empire. Less is known about astronomy in Africa, but the Mursi of Ethiopia appear to corroborate the author's thesis, as may the Bambara of Sudan as well. Closely related topics: Astronomy, Kiribati (The Gilbert Islands), The Hawaiians, The Caroline Islands, Navigation, The Maya, The Chalchihuites, The Teotihuacán Empire, The Inca, Java, The Aztec, Oceania, The Mursi of Ethiopia, The Bambara of Sudan, and The Maori.

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Bogoshi, Jonas; Naidoo, Kevin and Webb, John. The oldest mathematical artefact. Math. Gaz. 71 (1987), no. 458, 294. (Reviewer: M. P. Closs.) SC: 01A10, MR: 89a:01003.

As the authors note, the oldest mathematical artifact known may be a piece of baboon fibula with 29 notches, dating from around 35,000 BC, and discovered in the mountains between South Africa and Swaziland. By comparison, the Ishango bone dates from about 9000 BC, and the Czechoslovakian wolf's bone with 57 notches dates from about 30,000 BC. Bushmen clans in Nambia apparently use similar bones for calendar sticks today. Includes photo. Closely related topics: TallySystems, South Africa, The Bushmen (southern Africa), and Archaeology.

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Crowe, Donald W. The geometry of African art. III. The smoking pipes of Begho. The geometric vein, pp. 177--189, Springer, New York-Berlin, 1981. (Reviewer: M. P. Closs.) SC: 01A10 (51M20), MR: 84b:01004.

Introduces the strip and plane patterns. Gives a useful flowchart for recognizing them (and some examples). Then classifies the patterns appearing in smoking pipes from the Krama quarter of Begho, in Ghana. The most common strip pattern is the one usually referred to as pmm2 (number 7 in the author's own system). The most common plane patterns are pmm and p4m. As the author notes, both of these can be easily created as rows of pmm2 strips. Representatives of all 7 strip patterns were found, but only 7 of the 17 possible plane patterns occurred. The author also considered questions on the relative preponderance of the various strip types by four different levels in the dig; no noticeable differences were found. Closely related topics: Ghana, Frieze Patterns, Plane Patterns, and Archaeology.

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Crowe, Donald W. The geometry of African art. II. A catalog of Benin patterns. Historia Math. 2 (1975), 253--271. (Reviewer: M. P. Closs.) SC: 01A15 (20H15), MR: 58 #9986b.

Discusses the strip patterns and plane patterns occurring in Benin art. All 7 strip patterns and 12 of the 17 frieze patterns occur, though about five of the frieze patterns which do occur are rare: two may only occur once, and one of these may be based on a European model. The author compares the Benin patterns with the Bakuba patterns. Glide reflections are more rare in Benin art than in Bakuba art, possibly because glide reflection symmetries may arise most naturally from weaving patterns. Benin art also tents to be more representational, Bakuba art more abstract. The author also considers Benin patterns to be less varied than Bakuba patterns. However, it appears that the bronzework itself is nearly unsurpassed. A catalog is given with most of the strip patterns the author has found in Benin art, along with one example of each of the 12 plan patterns that occur. The author does not discuss this, but some patterns combine elements of different symmetries: the authors example of a p1 symmetry would have been classified differently if either of its two motifs were removed. Also see the erratum, Crowe, Donald W., Erratum to: "The geometry of African art. Closely related topics: BeninCity, Nigeria, Frieze Patterns, Plane Patterns, The Bakuba of Zaire, Weaving, and Bronzework.

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Crowe, Donald W. The geometry of African art. I. Bakuba art. J. Geometry 1 (1971), 169--182. (Reviewer: M. P. Closs.) SC: 01A15 (20H15), MR: 58 #9986a.

Discusses strip and plane patterns occurring in Bakuba art, particularly in textiles and woodcarving. The inspiration for many of these patterns seems to be from weaving, but at least one pattern may originate in the technique of sewing together triangles to make bark cloth. All seven strip patterns occur, and 12 of the 17 possible plane patterns. Discusses the relative proportions of some of these patterns, and gives an example of each. In all but one of the strip patterns, the author gives both cloth and carved examples (the other is given in cloth only, being rare in wood). The author includes an appealing claim about one of the patterns, made by an earlier researcher (too enthusiastic in the view of the authors): "it is probably the most remarkable example of this kind... its discovery is certainly a mathematical accomplishment of the first magnitude." Also see the erratum, Crowe, Donald W., Erratum to: "The geometry of African art. Closely related topics: The Bakuba of Zaire, Frieze Patterns, Plane Patterns, Weaving, and Wood Carving.

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Eglash, Ron. Fractal geometry in African material culture. Symmetry: natural and artificial, 1 (Washington, DC, 1995). Symmetry Cult. Sci. 6 (1995), no. 1, 174--177. SC: 01A13 (01A07), MR: 1 371 629.

This article is very brief, but mentions several tantalizing examples of fractals and recursive similarity in Africa. He gives an example of fractals in the layout of the settlement of Mokoulek in Cameroon. There are apparently also hints of fractal architecture in ancient Egypt. The author tells us that recursive scaling (infinite self-similar structures) is also seen in Ethiopian crosses, Egyptian cosmological icons, and Cameroon bronzeware. The author also tells us that "specific scaling techniques are particularly evident in Ghana, where the use of log spirals to represent self-organizing systems (biological morphogenesis and fluid turbulence is common", and that "binary recursion is used in Bambara sand divination" [in Mali]. Closely related topics: Fractals, Cameroon, Ethiopia, Ghana, Mali, Ancient Egypt, and Biology.

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Gerdes, Paulus. Fivefold symmetry and (basket) weaving in various cultures. Fivefold symmetry, 245--261, World Sci. Publishing, River Edge, NJ, 1992. SC: 52B99 (01A07), MR: 1 178 750.

Gerdes suggests that five-fold symmetries arose from efforts to solve problems in basketweaving rather than in observations of five-fold symmetry in natural phenomena (such as starfish). One way five-fold symmetries can arise is by modifying the more obvious six-fold symmetries (such as those used by peasants in Mozambique) to fit a curved surface. The author reports that "these pentagonal-hexagonal baskets are, for instance, also woven by the Ticuna and Omagua Indians (northeastern Brazil), by the Huarani Indians, by the Kha-ko in Laos, and by the Menda in India. One sees them also in China, Japan, and Indonesia." The Malaysian sepak tackraw ball is similar to the soccer ball and is woven in the same way. The author reports that the peasants of the island Roti (Indonesia) may have discovered a way to fold a regular pentagon as a kind of a thimble. The author shows how a similar pentagonal weaving pattern is used in weaving brooms in Mozambique. (A near pentagram then appears inside the knot.) The author notes that a similar method is used in Angola to hold together the bars of a cage. The author in addition discusses how hat weaving techniques can lead naturally to three- and five-fold symmetries. The author's main example is with the hats of the Belu of central Timor, but he notes that related techniques are used in northern Mozambique, southern Tanzania, and by the Kuva of Congo. The author also shows a Chinese hat with five-fold symmetry. Two other particularly interesting examples are "a burden basket ... from the Papago Indians (Arizona) which combines beautifully a global sevenfold symmetry with local fivefold symmetry", and the "center of a Japanese basket, which combines global ninefold symmetry with local fivefold symmetry." Closely related topics: Five Fold Symmetry, Basket Making, Mozambique, Malaysia, and The Belu of Central Timor.

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Gerdes, Paulus. On mathematics in the history of sub-Saharan Africa. Historia Math. 21 (1994), no. 3, 345--376. SC: 01A13, MR: 95f:01003.

This paper broadly surveys the recent research in sub-Saharan mathematics (and some related areas as well). Areas discussed include prehistoric mathematics (e.g., the Ishango and Border Cave bones), number systems and symbolism (including algorithms and education), games and puzzles (for example, a leopard-goat-cassava leaf river crossing problem and a "topological" puzzle), symmetry in African art, graphs or networks (e.g. Tschokwe sand drawings), architecture (one case involving magic squares; also a brief reference to fractals). Gerdes mentions string figures as a possibly productive future research area; he gives some starting points. He also discusses related areas, such as technology, and studies on language and mathematical concepts. A goal of the studies mentioned is apparently to better understand mathematics learning in Africa. Some studies focus on logic. Questions on interaction with ancient Egypt are still largely open. A better understanding of Islamic mathematics in sub-Saharan Africa is desirable as well. The author also touches on factors connected with the slave trade; e.g., the remarkable but not perhaps entirely atypical abilities of Thomas Fuller. Includes an extensive bibliography. Closely related topics: TallySystems, Games, Puzzles, Topology, Symmetry, Continuous Tracing Problems, Architecture, Magic Squares, Fractals in Art, String Figures, Ancient Egypt, The Reckoning of Time, Education, Mathematics in Language, Logic, The Islamic World, and Thomas Fuller (1710-1790).

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Gerdes, Paulus P. J. On ethnomathematical research and symmetry. Symmetry in a kaleidoscope, 2. Symmetry Cult. Sci. 1 (1990), no. 2, 154--170. SC: 01A07, MR: 1 188 949.

Gerdes begins with a discussion of why symmetry is such a common phenomenon in human culture. He notes that some symmetries which are rare in nature (e.g., rotational symmetries of order 2) are common amongst us. Gerdes gives the example of rotational symmetry being used in the tattoos of the Makonde of northern Mozambique. Gerdes explains how symmetries such as the rotational symmetry of order 2 can arise naturally in solving problems in such areas as weaving. Gerdes then turns to the geometry of the line drawings made by the Tamil women in South India (during harvest month) and those made by the Tshokwe. These drawings have some strong similarities, and in both cases show an interest in tracing out a figure with a single continuous line. They also show a strong interest in symmetry, and Gerdes gives examples of how designs which fail to follow the one-line cultural norm may also fail to display the expected symmetries, suggesting that such drawings are degradations of more symmetric ones drawn with one line. The author advances a construction principle that can be used to construct both the Tamil and Tshokwe patterns. (Although the author doesn't note this, it is interesting that this principle is very similar to another principle that has been advanced for Celtic knot friezes!) Gerdes then discusses some mathematical properties of curves made using his construction principle. He also discusses some other interesting topics in his ethnomathematical research. For example, the author mentions that he has a found a new hypothesis on the origin of the Egyptian formula for the volume of a truncated pyramid, and has also found an infinite series proof for the Pythagorean theorem. Closely related topics: Symmetry, The Tamil of South India, TheTshokwe, Continuous Tracing Problems, The Celts, Ancient Egypt, and Pythagorean Triangles and Triples. Also possibly relevant: Mozambique, Tattoos, and Weaving.

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Gerdes, Paulus and Bulafo, Gildo. Sipatsi. Technology, art and geometry in Inhambane. Translated from the Portuguese by Arthur B. Powell and Gerdes. Instituto Superior Pedagógico, Ethnomathematics Research Project, Maputo, 1994. 102 pp. (Reviewer: J. S. Joel.) SC: 01A07 (00A08 00A69 01A13 51M20), MR: 95f:01002.

The authors discuss the construction and mathematical properties of the Mozambican sipatsi, which are essentially woven handbags. They are generally decorated with strip or frieze patterns, and in fact all 7 possible types of strip patterns occur in the sipatsi from Inhambane province in Mozambique. This book includes a description of the processes used to create the sipatsi, a catalog of the strip patterns found, and a chapter designed for people using the sipatsi to teach mathematics. The authors also give just a few examples of strip patterns on wooden spoons (also from Inhambane province) and on vases and pots (from Maputo). Closely related topics: Mozambique, Basket Making, Frieze Patterns, and Education.

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Katz, Victor J. Essay reviews of Ethnomathematics [Brooks/Cole, Pacific Grove, CA, 1991; MR: 92c:01006] by M. Ascher and The crest of the peacock [Tauris, London, 1991; MR: 92g:01004] by G. G. Joseph. Historia Math. 19 (1992), no. 3, 310--315. SC: 01A07 (00A30), MR: 1 177 496.

Katz reviews and contrasts Marcia Ascher's book Ethnomathematics: A Multicultural View of Mathematical Ideas and George Gheverghese Joseph's book The Crest of the Peacock: Non-European Roots of Mathematics. He finds that both correct serious omissions in the literature (and in particular, in Morris Kline's Mathematical Thought from Ancient to Modern Times). Joseph focuses on the history of mathematics in the large civilizations of ancient Egypt, Babylonia, China, India, and the Islamic World. He wanted to highlight "(1) the global nature of mathematical pursuits of one kind or another; (2) the possibility of independent mathematical development within each cultural tradition; and (3) the crucial importance of diverse transmissions of mathematics across cultures, culminating in the creation of the unified discipline of modern mathematics." Katz seems disappointed only in the third thesis, "because the documentary evidence for transmission of mathematical ideas is lacking." (For example, he notes that "whether Diophantus was directly influenced by the Babylonian tradition is a subject of scholarly debate." Joseph's treatment of Indian mathematics seems to be particularly good "especially since it is difficult to find this material in other sources." The focus of Ascher's book is completely different. She looks at traditional non-literate peoples. As Katz notes, "She has no intention of claiming that the mathematics developed in the cultures she discusses had any influence on developments elsewhere. Her main goal is simply to show that mathematical ideas, even if not developed by those called mathematicians, can be found in many societies if one only knows where to look." Katz reports examples as coming from the Inuit, Navajo, Iroquois, and Incas of the Americas, the Malekula, Warlpiri, Maori and Caroline Islanders of Oceania, and the Tshokwe, Bushoong, and Kpelle of Africa. This very useful review concludes by highly recommending both books. Closely related topics: Ancient Egypt, Sumerians and Babylonians, China, India, The Islamic World, The Inuit, The Navajo, The Iroquois, The Inca, The Malekula of Vanuatu, The Warlpiri, The Maori, The Caroline Islands, TheTshokwe, The Bushoong, and The Kpelle of Guinea.

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Zaslavsky, Claudia. Africa counts. Number and pattern in African culture. Prindle, Weber & Schmidt, Inc., Boston, Mass., 1973. x+328 pp. SC: 01A10, MR: 58 #20993.

This book is an excellent introduction to the mathematics of (primarily sub-Saharan) Africa. The best tribute to its importance may be in Gerdes, Paulus, On mathematics in the history of sub-Saharan Africa. Gerdes writes "In her classical study Africa Counts: Number and Pattern in African Culture ..., Claudia Zaslavsky presented an overview of the available literature on mathematics in the history of sub-Saharan Africa. She discussed written, spoken, and gesture counting, number symbolism, concepts of time, numbers and money, weights and measures, record-keeping (sticks and strings), mathematical games, magic squares, graphs, and geometric forms, while Donald Crowe contributed a chapter on geometric symmetries in African art." Regarding geometric symmetries, it is primarily the frieze patterns and plane patterns that are discussed; there is surely more work to be done on the bichromatic frieze and plane patterns. Many readers will wish to explore further. Gerdes' paper should be invaluable for this, not least for its extensive bibliography. Another useful resource is the newsletter distributed by the African Mathematical Union's Commission on the History of Mathematics in Africa (AMUCHMA). Closely related topics: TallySystems, Finger Numerals, Counting, Numerology, The Reckoning of Time, Money, Measurement, Games, Continuous Tracing Problems, Architecture, Magic Squares, Mathematics in Language, Frieze Patterns, Plane Patterns, The Islamic World, and Anthropology, General.

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